Otvoritev razstave / Exhibition opening: Zamaknjeni sistemi_Systems in Delay | IZIS XIV

Vabimo vas na otvoritev osrednje razstave 14. festivala IZIS.

Zamik III – Zamaknjeni sistemi zamik išče v samih sistemih: v zamudah, ponovitvah, odmevih, zankah in ponastavitvah digitalnih, mehanskih in naravnih procesov. Razstava ga razume kot možno strategijo upora proti imperativu hiperproduktivnosti: kot premor, vrzel ali razpoko, ki odpira prostor za drugačno zaznavanje časa.
Na otvoritvi bosta spregovorila Borut Jerman, producent festivala, in kuratorka Irena Borić, ki nas bo nato popeljala po razstavi.

Sodelujoči in dela:
▪️ Format C (Dina Gligo in Vedran Gligo), Pivilion/EXEno2:S~U/S~P_E/N~D_E~D (2026): strežniška postavitev, v kateri si povezani strežniki podajajo animirane vsebine
▪️ Oskar Kandare, sys_6x3_CAT (2025): avtonomni kinetični sistem, ki se kot enocelično bitje odziva le na najbližjo okolico
▪️ Urška Preis, Ogenj, voda, zemlja, bol (2025): intermedijska postavitev o bolečini, ki ne izgine, temveč se preobraža
▪️ Lara Reichmann, Loading Suns (2023): zgodba satelita Terra, ki opazuje Zemljo in razmišlja o svoji umrljivosti
▪️ Lina Rica, Everything (2021): cinkova plošča, ki jo med razstavo razjeda raztopina modre galice in soli
▪️ Saša Spačal, Nianse večnosti (2023): 88 kromatogramov tal, onesnaženih s PFAS, in film Vzdrževalni vzorci (2023, z Alison Sperling)
▪️ Swamp_Matter (Ana Laura Richter in Eva Garibaldi), Kamni so le navidez neživi (2024): geološki čas v Škocjanskih jamah
▪️ Robertina Šebjanič, Ida Hiršenfelder in dr. Ana Lokovšek (NIB – MBP), Ribji šepet (2024–): podvodne zvočne krajine jadranskih morskih travnikov
▪️ Lukas Truniger, Lost in rasterized Translation (2025): razbit LED-zaslon, ki obiskovalce zrcali v nizki ločjivosti
▪️ Staš Vrenko, Zanke v prenosu (2018): interaktivna zvočna postavitev, ki ozvoči mikročasovne procese tehničnih medijev
▪️ Luiz Zanotello, Tempo-imagem (2024): stroj, ki v realnem času pregleduje svetovne vremenske kamere

Kuratorka: Irena Borić

Razstava bo v Libertasu in Bastionu na ogled do 22. 11. Vstop je prost.

—
🇬🇧 Join us for the opening of the central exhibition of the 14th IZIS Festival.

Delay III – Systems in Delay looks for delay inside systems themselves: in the lags, repetitions, echoes, loops and resets of digital, mechanical and natural processes. The exhibition treats delay as a possible strategy of resistance to the imperative of hyperproductivity: a pause, a gap or a crack that makes room for a different perception of time.

The opening will feature words by Borut Jerman, festival producer, and curator Irena Borić, who will then lead us through the exhibition.

Artists and works:
▪️ Format C (Dina Gligo & Vedran Gligo), Pivilion/EXEno2:S~U/S~P_E/N~D_E~D (2026): a server installation in which interconnected servers trade animated content
▪️ Oskar Kandare, sys_6x3_CAT (2025): an autonomous kinetic system that, like a single-celled organism, responds only to its immediate surroundings
▪️ Urška Preis, Fire, Water, Earth, Pain (2025): an intermedia installation on pain that does not disappear but transforms
▪️ Lara Reichmann, Loading Suns (2023): the story of Terra, a satellite that watches the Earth and reflects on its own mortality
▪️ Lina Rica, Everything (2021): a zinc plate slowly etched by copper sulphate and salt over the course of the exhibition
▪️ Saša Spačal, Gradients of Eternity (2023): 88 soil chromatograms contaminated with PFAS, and the film Holding Patterns (2023, with Alison Sperling)
▪️ Swamp_Matter (Ana Laura Richter & Eva Garibaldi), The Stones Only Appear to Be Non-Living (2024): geological time in the Škocjan Caves
▪️ Robertina Šebjanič, Ida Hiršenfelder & Dr Ana Lokovšek (NIB – MBS), Fish Whispers (2024–): underwater soundscapes of Adriatic seagrass meadows
▪️ Lukas Truniger, Lost in rasterized Translation (2025): a shattered LED screen that mirrors visitors in low resolution
▪️ Staš Vrenko, Loops in Transmission (2018): an interactive sound installation that sonifies the microtemporal processes of technical media
▪️ Luiz Zanotello, Tempo-imagem (2024): a machine that scans the world’s weather cameras in real time

Curator: Irena Borić
On view at Libertas and Bastion until 22 November. Free entry.

—
Festival IZIS XIV podpirajo / is supported by: PiNA, HEKA, Stran22, Mestna občina Koper, Zavod za mladino, kulturo in turizem Koper, Ministrstvo za kulturo, JSKD, Obalne galerije Piran, Skupnost Italijanov »Santorio Santorio« Koper – Comunità degli Italiani »Santorio Santorio« di Capodistria, Univerza na Primorskem (Pedagoška fakulteta – Vizualne umetnosti in oblikovanje), Grad Zagreb in Pro Helvetia.